Dec 312011
 

When it comes to Christmas specials Doctor Who fans are often caught in the trap of knowledge.  While fans understand inherently that a program tailored just for fans is not and cannot be sustainable in the long term, fans also don't want the program to be so broad that it loses it's niche appeal. 

This is doubly true at Christmas time where Doctor Who has held the prestige spot on the BBC's Christmas day schedule for a few years now.  The delicate needle that must be threaded, at least for fans, makes for hit or miss evaluations as to story and overall importance to the larger mythos of the show.  One need look no further than The Runaway Bride as evidence of this.

All of which brings us to this years outing.  It should be stated clearly here that there is nothing inherently bad about The Doctor, The Widow, and the Wardrobe.  Performance by one and all was uniformly fine.  Matt Smith was at his fizzy best but the sense of scale was missing this time around, kind of like The Next Doctor in that respect.  Still we shouldn't judge too harshly.  It's the last new Who for 9 months we figure so if history is our guide we'll probably be more kindly disposed to The Doctor, The Widow, and the Wardrobe come late spring or early summer when anticipation will be mounting yet again. 

For the sake of completeness here's our revised list ranking the Christmas specials:

Images and caps for The Doctor, The Widow, and the Wardrobe are now online.  BTW even though the view here at THT Towers is that "Doctor Who Confidential" had served it's purpose and run it's course, didn't you miss it too?

 Posted by at 2:12 pm
Dec 112011
 

The heyday of scavenging for lost Doctor Who episodes was probably the early eighties, when the first tendrils of Doctor Who fandom began sprouting in earnest in the US, beginning a worldwide boom-let of popularity that in turn spurred a renaissance of interest in Doctor Who history. 

By the mid-eighties PBS stations in particular were hungry for any Doctor Who that was being made or could be found and sold into the system.  This worked it's way both forward and backward from Tom Baker to Jon Pertwee (a combined package of whole colour stories and black and white NTSC copies that were good enough) and eventually to William Hartnell and Patrick Troughton.  And of course therein laid a problem, particularly for Troughton for which only five complete stories existed.

For the fervent Doctor Who historians the number 108 is more than a relatively perfect number (2x2x3x3x3), it was the number of episodes missing from the BBC Archives.  Rumors were run down in Africa, New Zealand, and Australia. When discoveries of lost episodes were made, such as a complete The Tomb of the Cybermen, it was a cause for celebration.

Such is the case today, with the news that 2 classic episodes had been brought back into the fold, notably episode 3 of Galaxy Four and episode 2 of The Underwater Menace

Christmas came early today my friends.

 Posted by at 4:39 pm
Dec 062011
 

The Sixth Season Discs are arrived hither, tither, and especially yon.  The much-talked about discs extra, and a first in Doctor Who as far as we know, is the inclusion of a set of mini-episodes, and while certainly enjoyable, put us here at the Tour in a bit of a quandary.  We're rather disciplined here at THT Worldwide in that everything here on the site comes out of televised Doctor Who in one way or another, that's why there aren't Torchwood or SJA caps (which don't have the Doctor in them).   But the set of five "Night and the Doctor" minisodes are a different kettle of fish.

Of the five, "Up All Night" reads and feels like an extended or deleted scene from Closing Time and doesn't feature the regular cast at all, and as such is the most easily dismissed.

Good Night and Bad Night primarily feature Matt Smith and Karen Gillan and, importantly in the case of Good Night, has a conversation between the Doctor and Amy that many fans wish had occurred during the season. 

First Night and Last Night feature the kind of timey-wimey River-centeredness we as fans have come to expect.  These two stories, set somewhere between A Good Man Goes to War and The Wedding of River Song, tie together as one story more fully but still amounts to a trifle that gives larger context to the mentioned but unseen adventures between the Doctor and River.

Almost entirely set within the Tardis, it seems likely the entirety of these minisodes we're shot over the course of a day tops, but it's nice to know the cast and crew are going that extra light year or two for the fans, who after all are going to be buying the set to begin with.

Caps for each of these minisodes have now been posted.

 Posted by at 7:11 pm
Nov 302011
 

It's 1986 all over again. At least superficially. The shoe finally dropped a couple days ago from the Moff himself abut the future scheduling for the series into 2012 and beyond.

"Doctor Who in the summer? All that running down tunnels, with torches, and the sunlight streaming through your windows and bleaching out the screen? All those barbecues and children playing outside, while on the telly there are green monsters seething in their CGI-enhanced lairs? It's just not right is it? Be honest.

"For me, as a kid, when the afternoon got darker and there was a thrill of cold in the air, I knew that even though summer was over, the TARDIS was coming back! So yes, that's part of the plan, that's part of the reason for this little delay. But it's not the whole story."

Okay it may not be, and granted this appears to have everything to do with long term economics than short term ratings, but for long-term fans there just has to be a little shiver that the spectre of the 18-month hiatus (in reality more of a 9-month hiatus just like what we're about to go through) and Michael Grade in this announcement.  But here's a more realistic appraisal.

Doctor Who has been, and IS, a fall-winter series, just as Moffat has asserted.  If you don't believe it just check out our calendar to see how seasons historically have either started in September or January.  The March-April time frame is strictly a modern Who phenomenon. 

It was our hope when Moffat took over that this shifting to Autumn that this would happen in 2010.  The fact that it's happening two years later means in essence that a hidden gap year (a full 12 months) has been slipped into our Who history.  But we get it.

At least it's not 1986 all over again.

 Posted by at 3:59 am
Oct 022011
 

Never let it be said that when Steven Moffat decides to throw resources behind a story it certainly shows.  Imagination, and the expenditure it often takes, were all over the screen in The Wedding of River Song.  To wrap up a story whose elements began in 2008 had to be, by definition, a daunting task.  And yet, for as much of a puzzle-box structure that Moffat seems to bring to his style of Doctor Who, in the end most of the answers provided in the story, save for the inclusion of the Tesselator, were relatively straightforward and easily guessed. 

It probably amuses The Moff to see so many fans contorting themselves to make even the most trivial inclusion relevant, and yet there's a bit of JN-T in Moffat as well.  For the second straight year his season ending story has been a self-referential continuity free-for-all, but it's been done in such a throwaway manner to remain palatable for the general public.  Still despite best efforts to make the story feel epic as happened in The Pandorica Opens and The Big BangThe Wedding of River Song felt much more constrained, almost personal, and therein lies the potential for a trap.

Here at THT Omninational we felt oddly detached for the goings on and would've preferred a two-episode wrap up instead of the episode and a fraction we got, and hence it scored somewhat low in the 2011 Dynamic Ratings Table.

Know what though?  That's more than good enough as the forecast to more nu-Who looks awfully, awfully dry for the foreseeable future.

Images and caps for The Wedding of River Song are now online.

 Posted by at 7:47 pm
Sep 252011
 

So this is what happens when you overindulge in snacks before dinner. You leave yourself not hungry for the main course.  Gareth Roberts has established himself as the change-of-pace author, cemented in last years The Lodger.  Amongst the problems with Closing Time however is not so much that it is a change-of-pace, which it certainly tries to be, but that it echoes so many other elements of nu-Who that it could make you dizzy. 

The milieu of the department store runs out of Rose.  Killing the Cybermen with love is remindful of Victory of the Daleks.  The dad (re)connecting with his son occurred only three weeks ago in Night Terrors.  It goes on and on.  Smith and Corden as an unlikely double act is fine, but since this is the double-bank story two years running it all seemed like a distant replay and as such for the main story alone comes in at the bottom of our informal 2011 Dynamic Ratings Table, even with the tonal shifts weighted by Smith and the coda at the end with River and the astronaut.  One could be forgiven if you felt it was a 40-minute prelude for a 5-minute story.  Come to that, cliffhanger aside, wouldn't we all have been better served by making River's appearance a pre-credits sequence for a longer season finale?

On the trivial side Lynda Baron now holds the distinction of having the longest appearance span in the history of the program, having sung in The Gunfighters (in 1966), been a pirate in Enlightenment (1983), and now in Closing Time.  What other program can claim such a distinction?

Images and caps for for Closing Time are now online.

 Posted by at 2:55 am